The Island by Athol Fugard, John Kani and Winston Ntshona, is about a real island in South Africa, the site of a notorious prison. If you've been there you know how stark and oppressive Robben Island is, despite its having now become—merely, happily— a tourist site. Feb 07, 2017 The Island is a play written Athol Fugard, John Kani, and Winston Ntshona. The performance is a collaboration between KININSO KONCEPTS AND AROJAH THEATRE. The apartheid-era drama, inspired by a. Athol Fugard's The Island, created with actor-activists John Kani and Winston Ntshona for Cape Town's Space theatre, may be 40 years old this year, but it has the rough majesty of a classic. Note that spot 4D20, corresponding to a CpG island 5' to the Argef7 gene, shows greatly reduced intensity (increased methylation) in both D100 and G100 cells compared to control (Figure 4C, left), while the spot 4G11, corresponding to a CpG island 5' to the Gm967 gene, displayed decreased intensity in both G100 and H100 cells (Figure 4C, right).
'The Island makes other theatrical productions seem like fluffy, farcical entertainment. This play will move, unseat, and transform you. Director Peter DeLaurier said it best: 'This play is a hymn to the power of theater.' –Phawker.com
'The [Lantern], which usually does well by the South African playwright, outdoes itself in The Island. Frank X in the role of John and U.R. as the reluctant Winston exceed their customary virtuosity. It takes a while to figure out what Sophocles is doing in this South African prison, but we get there – and when you do, it's wonderful. The Island honors these men whose principles have put them behind bars, and whose lives could be our lives in a different time and place. The Island is tough and tragic and a very funny piece of theater. Peter DeLaurier's direction shows the power of his own fine actors' timing. Janet Embree's lighting heightens 90 powerful minutes of theater.' –WRTI 90.1-FM
'Lantern's production of The Island is strong. The first half of The Island belongs to John as the interpreter and instigator of events. Frank X provides a passionate and nuanced character study, and then a terrifying, ingratiating, utterly political Creon. The second half belongs to Winston who narrates much of their backstory right up until they lost their freedom. After much reluctance, he plays a winsome and defiant Antigone. U.R. lets us see, at the very moment his character suddenly sees it, the damage done by years in prison.' –The Philadelphia Inquirer
'Frank X and the lyrical U.R. make poignant partners, easily ranging from prickly dudgeon and heart-stopping empathy to humor. DeLaurier's direction lingers with a sure hand over many of the play's most emotionally and physically demanding moments, building to a final scene of triumphant power.' –Broad Street Review
'The Island is one intense theatrical experience. The Island is a powerful story, and Frank X and U.R. are marvelous as they chart the subtle changes that these characters go through to make their stand.' –Talkin' Broadway
'The piece is carried by outstanding performances by Frank X, who is in my reckoning probably the best actor on the Philadelphia stage, and his excellent costar U.R. As I heard one audience member say, the performances were like instruction in how to act: nuanced and powerful.' –STAGE Magazine
'The [Lantern], which usually does well by the South African playwright, outdoes itself in The Island. Frank X in the role of John and U.R. as the reluctant Winston exceed their customary virtuosity. It takes a while to figure out what Sophocles is doing in this South African prison, but we get there – and when you do, it's wonderful. The Island honors these men whose principles have put them behind bars, and whose lives could be our lives in a different time and place. The Island is tough and tragic and a very funny piece of theater. Peter DeLaurier's direction shows the power of his own fine actors' timing. Janet Embree's lighting heightens 90 powerful minutes of theater.' –WRTI 90.1-FM
'Lantern's production of The Island is strong. The first half of The Island belongs to John as the interpreter and instigator of events. Frank X provides a passionate and nuanced character study, and then a terrifying, ingratiating, utterly political Creon. The second half belongs to Winston who narrates much of their backstory right up until they lost their freedom. After much reluctance, he plays a winsome and defiant Antigone. U.R. lets us see, at the very moment his character suddenly sees it, the damage done by years in prison.' –The Philadelphia Inquirer
'Frank X and the lyrical U.R. make poignant partners, easily ranging from prickly dudgeon and heart-stopping empathy to humor. DeLaurier's direction lingers with a sure hand over many of the play's most emotionally and physically demanding moments, building to a final scene of triumphant power.' –Broad Street Review
'The Island is one intense theatrical experience. The Island is a powerful story, and Frank X and U.R. are marvelous as they chart the subtle changes that these characters go through to make their stand.' –Talkin' Broadway
'The piece is carried by outstanding performances by Frank X, who is in my reckoning probably the best actor on the Philadelphia stage, and his excellent costar U.R. As I heard one audience member say, the performances were like instruction in how to act: nuanced and powerful.' –STAGE Magazine
Inspired by a true story during the time of apartheid in South Africa, The Islandis a play that Athol Fugard co-wrote with two other playwrights, John Kani and Winston Ntshona. The three men met when they were members of a drama group called the Serpent Players, a group comprising of amateur actors who all had day jobs to go to during the working week. After work they would attend workshops, with play rehearsals taking place on the weekends. The men hit it off immediately and as they became more well-known, they gained the confidence to write their own material instead of performing other people's.
The play is set in an un-named prison widely believed to be Robben Island, whose most famous prisoner, Nelson Mandela, was kept captive there for twenty seven years. The two protagonists of the play, John and Winston, are prisoners; one has recently successfully appealed his sentence and is soon to be released, the other who is going to stay in prison for the foreseeable future at least. The men are part of a theater program in the jail and they are shortly to perform Sophocles' play Antigone for the other prisoners. One man is going to play Antigone, the other, her Uncle Creon, who sentences her to death for giving her brother a proper burial, which is against the law, but which her conscience tells her she must do.
Antigone's situation is used as a parallel with the situation of the men in the prison because the majority of them are imprisoned for politically-motivated crime that are also a calling of their conscience.
Athol Fugard Background
The play was first performed in Cape Town but was given a different title so that it would not fall foul of the government's censorship laws by shining a light on the political prisoners incarcerated on Robben Island. At the time any play that focused on prisons or the way in which prisoners were kept and forced to undertake hard labor were banned. The play was successful and soon earned a run in London's theater district, premiering at the Royal Court Theater in Haymarket. John Kani and Winston Ntshona starred in the London production, playing their namesake characters. The production on Broadway opened a year later and earned Tony Awards for both Kani and Ntshona.
Fugard The Island Full Text Movie
Athol Fugard, although not a performer in this play, is nonetheless a respected actor, but he is better known as both a writer and a director. Dairy live software crack forum for windows. The majority of his work focuses on the injustices of apartheid and the racial discrimination Fugard experienced whilst growing up in South Africa. Because of his outspokenness about apartheid, and his opposition to it, he became restricted by the government and he was frequently surveilled by the military police. He began to produce his work outside South Africa so that he did not have to abide by the constraints that were placed upon productions staged within the country.
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Athol Fugard Theatre
In 2011, Fugard was awarded the Speical Lifetime Award by the Tony Awards; in 2005 his novel Tsoti was adapted for the big screen, and received an Academy Award.